The first film to be fully funded by and distributed on blockchain is on release this week and the subject is blockchain itself.
Documentary filmmaker Alex Winter, known to some for his role in Bill and Ted’s Excellent Adventure, has moved from the frivolous to the relevant in the years following his appearances in a handful of popular teen movies in the 1980s.
His latest offering, ‘Trust Machine: The Story of Blockchain’, is out on general release in the US on 26 October and puts DLT under the microscope. This is not Winter’s first foray into the world of the internet following his 2015 documentary Deep Web about the dark web marketplace Silk Road, which focused on cryptocurrency use on black markets. It is also the subject of a play, ‘Silk Road: How to Buy Drugs Online’, by English playwright Alex Oates which has been playing at theaters in the UK this year.
Trust Machine is reviewed as being an honest appraisal of where blockchain is today, focusing at one point on current UN action to integrate blockchain into the food program supporting Syrian refugees in refugee camps. Kenya and Venezuela, two countries seriously suffering from fraud and mismanagement at a governmental level, also get coverage in Winter’s evaluation of blockchain and its broad sphere of use.
Since last year, the United Nation’s World Food Programme (WFP) has distributed cryptocurrency-based food vouchers to more than 100,000 Syrian refugees living in Jordan, bypassing bureaucracy and getting aid to where it’s needed. The new project initiated by the WFP and UN Women was announced last month and will support the UN Women’s “cash for work” program currently running at both camps.
In a fight against rampant voting fraud in Kenya, the Independent Electoral and Boundaries Commission Chairman has now tabled a detailed potential blockchain solution as providing security for all presidential candidates, allowing them to access and verify the results of elections.
Winter takes a positive approach to his subject, stating:
“Naysayers have two groups: one says all of it is BS, and a scam, and a fraud, and then a slightly more nuanced group says a lot of it is scams, but the verifiable ledgers are a natural evolution of the internet. Some folks believe blockchain will save the universe. I don’t agree with the group that thinks it’s bullshit. They are uneducated.”
The film’s primary focus is to feature both the trials of developing nations, particularly where blockchain is changing the lives of the disadvantaged, and to measure the overall impact that DLT could have on the financial sector and on food supply chains. As for the future, Winter maintains:
“If it happens, it will be slow. Some will be blunt and disruptive like Uber, I don’t see a revolution imminent that will compensate artists, or mirror banks and governments. Too much of that is based on greed and power dynamics that aren’t going to change overnight.”
It is interesting that Winter has chosen Trust Machine as a title for his latest film. Many users at every level from multinational to the individual have cited the element of “trust” as blockchain’s greatest attribute, because of its transparency and reliability in creating irrefutable records of transactions.
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